Comparison between the Sony A7 II and the Sony A7s
Both the Sony a7S and the Sony a7II have dynamic ranges in the vicinity of 13, which is a respectable number. An adequate dynamic range is required if your camera is to catch all of the details in a bright environment, such as while shooting outside at midday. It is possible to lose a significant amount of information while photographing outside in bright sunlight if your camera’s dynamic range is not sufficiently broad. Overall, we believe the a7II would be an excellent camera to have if you want to print your photos at really big proportions.
Several contemporary cameras are not only capable of shooting still photographs, but they are also capable of recording short films. For moving pictures, both of the cameras under consideration are equipped with sensors that have a suitable readout speed for moving images, and both provide the same movie standards (1080/60p). What are the differences between the Sony Alpha A7 II and the Sony Alpha A7S, in addition to the distinctions shown in this snapshot of fundamental features and characteristics? Check out the table below to see how these two cameras compare with regard to their body size, their image sensors, their shooting functions, their input-output connectors, and the reaction they received from professional reviewers.
Overall, the cameras are really comparable, and the older a7S is capable of a great deal already, thanks to the option of external 4K that seems to be almost equivalent. As a result, for the camera enthusiast who is on a tight budget, the $800 price difference may not be worth it in the long run. The remainder of the HD modes on the a7S II are almost similar to the ones on the a7S, which is a significant improvement. Keep in mind, however, that although a 4K recording that is downscaled to HD in post production will undoubtedly appear better, it will also need more processing power and storage in your production pipeline. 2.2 crop HD / Slow Motion seems to be the worst-looking of the three modes, but it still produces a usable picture.
Alternatively, if you want to change the focus of the display and look at a different camera pair, you may go over to the CAM-parator tool and pick from the large number of alternative camera comparisons that are available there. Aside from that, a large number of users expressed dissatisfaction with the screen’s tight layout. Generally speaking, Sony cameras have a large number of options, and with a tiny 3 inch screen, those settings may rapidly get crowded on the screen, which can be slightly bothersome to completely overwhelming.
However, I believe that his choice of lenses had more to do with this than his usage of slog2. However, I would be interested in hearing about anybody else’s experiences with the A7II with moiré. They are extremely similar in design, very similar in functioning, and they include sensors that are very close, if not identical, in size.
It provides a few significant improvements over its predecessor, the Sony a7S. A review of the new 4K mirrorless camera was conducted to provide some hands-on experience. One feature that distinguishes the A7 II from the A7S is the inclusion of in-body image stabilization. With all connected lenses, the A7 II minimizes the danger of handshake-induced blur, but the A7S does not provide any blur reduction with lenses that do not inherently include optical image stabilization. The essential physical specifications of the two cameras, as well as a larger range of comparable cameras, are summarized in the table below.
While this mode is good for capturing still items, it is less ideal for photographing moving objects or shooting under artificial lighting. It should be noted that the above size and weight comparisons are rather inadequate since they do not take into account the interchangeable lenses that are required by both cameras. In this specific instance, both cameras are equipped with the same lens mount, allowing them to be used with the same lenses.
As we previously said, not everyone is now filming in 4K resolution. Although full HD has lost some of its luster, it is still widely used and the quality of full HD is still fairly amazing. However, if you are able to shoot in 4K, you will be able to capture films at a bitrate that is far larger than that of full HD. Apart from that, 4K video captures less color banding, which allows it to better catch all of the tiny color changes that occur in a scene while the video is being recorded. “Features specific to the Sony a7S” section contains an explanation of how megapixels are calculated.
Because this article piqued my interest, I experimented with video and slog2 to see if it might erase moiré. Unfortunately, it didn’t make any difference; I received exactly as much moiré with slog2 as I did with no profile all. Using a 35mm lens, I was photographing a scene with tile and brick patterns, and I experimented with different shutter speeds and aperture settings. This was shot with a 0.9 ND filter and processed in Adobe Photoshop using Color Finesse.
Unless you’re using a tripod, camera shaking is virtually unavoidable, which, of course, may have a negative impact on the final image quality. Picture stabilization, as the name implies, is the process of stabilizing the image projected from the lens so that the resultant image is neither fuzzy or jittery. While we’re still talking about the Sony a7S versus a7II, we’re going to take a look at another interesting feature that the a7II features.
If you don’t have the time to read through the full review, you may skip forward to this portion of the review. It will provide you with a comprehensive overview of everything included in the entire study. In addition to his extensive camera expertise, he is well-positioned to identify good camera offers and propose the finest items in Digital Camera World’s purchasing advice. Aside from that, he writes on a variety of specialized issues, such as binoculars and monoculars; spotting scopes; microscopes; trail cameras; action cameras; body cameras; filters; camera straps; and other related topics. Every camera in the Sony A7 series is a strong rival when it comes to picture capturing speed.
Although the a7S is not fully devoid of noise, the amount of noise is much lower than that of the a7II when compared to the latter. Naturally, Adobe Premiere can be used to remove noise from a video, but we’re certain that everyone would benefit from one less post-production task to do. Finally, the a7II has a resolution of 24 megapixels, which is much higher than the a7S’s resolution of 12 megapixels. At this resolution, you can do a great deal more than you could with the a7S camera. And, perhaps more crucially, you’d be able to print in sizes as big as 20 by 30 inches, unless, of course, this isn’t essential to you at all in your situation.